Spinning paper is a dynamic process that has been used for centuries to create textiles from Obi to undergarments to WWI uniforms to accessories. We will learn a straightforward method for preparing paper and then gather to sit and spin paper thread that is suitable for basketry, crochet, knitting, weaving, and other hand manipulation techniques. You do not need to know how to spin on a drop spindle to attend the workshop. Drop spindles will be loaned to those who need them. Recognizing the unique behaviors of fibers allows the artist to communicate a deeper understanding of intention and meaning in their work. We will have fun using traditional eastern papers, along with others to find interesting results.
Please bring a drop spindle (the studio has drop spindles for your use) and small cutting mat, and an old sewing pattern if possible. The studio has cutting mats and old patterns available (pattern cost $1.00 each).
We will be using a small amount of water in a spray bottle. Dress accordingly.
Date: Saturday, January 11, 2025
Time: 10:00 AM – 1:00 PM
Cost: $68.00 plus $20 materials fee paid to instructor
($65.00 check price plus $20 materials fee paid to instructor )
Minimum: 6 students; maximum 10 students
Date: Saturday, January 25, 2025
Time: 10:00 AM – 1:00 PM
Tuition: $68.00 plus $40.00 mateials fee paid to instructor
($65.00 check price plus $40.00 mateials fee paid to instructor)
Class size: minimum 6 students; maximum 10 students
From Sheet to Spindle: Making Yarn from Paper with Suzi Ballenger
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Suzi Ballenger was born and raised in Indiana. She completed her BA at Keene State College in New Hampshire and her MFA in Artisanry-Fibers from UMass-Dartmouth. She has worked in New England as a weaver and teaching artist since 1996 and currently serves on the Board of The Handweavers Guild of America. Her work has been published in Handwoven Magazine, Surface Design Association, and The Textile Society of America. She has a curiosity for material that stimulates her woven language; believing the fullest expression of a fiber can be realized through observation, rhythm, and structure. When not in the studio, Suzi can be found outside in the garden, swimming in the ocean, or walking on local trails.